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This fragment is part of the "CulturalxCollabs - Weaving the Future" carpet.
Through the fragment we trace the journey of the fragment owners and their collabs as they explore, experiment and creatively advance socially relevant themes. Here is the fragment as we are sending it on this three and a half-year journey.
Follow this story to observe the transformations the fragment undergoes over the course of these years...
As editor of a London-based magazine about carpets, I spend a lot of time talking about contemporary carpets with people from across the world. Putting together COVER magazine, I report on rugs being made today in places such as Nepal, India, Afghanistan, Pakistan, Iran, Turkey, Peru, Morocco and I talk with people designing, commissioning and using rugs from Europe, America, Australia, Asia and beyond. In the past there was always an element of disconnect between the makers and those buying the rugs. However, I feel that today many people are more interested in who makes the products they buy. More companies are starting projects that let buyers know the story of the production of each rug and the weaver that produced it. More firms are bringing weavers to design shows to demonstrate the amazing skills required for making such a hand-knotted rug. In recent issues of the magazine I have illustrated days in the life of weavers, spoken to people fighting for the rights of rug workers in countries where the profession is not well respected and looked at the rug industry in countries such as Afghanistan. My aim is to always to highlight the amazing skill that goes into rug making today and also to demonstrate the vast scope of work that is being produced.
In light of the 'Cultural Collaborations' theme, I took my beautiful fragment to an event my company organises every year in New York during September. COVER Connect New York 2024 showcased 44 international rug brands who displayed rugs from around the world. It is not just a fair but also an annual meeting of the rug industry from America and beyond, and the fragment got to spend time with the international exhibitors and visitors to the show. Companies that enjoyed meeting the fragment included, New Jersey based Wool & Silk Rugs (who have origins in Turkey and the US), Wendy Morrison Design from Edinburgh, UK, Kirkit Rugs based in Istanbul and Paris, Tamarian from Baltimore, USA, and Lila Valadan from Hamburg, with origins in Iran. The fragment got to spend time in an environment of cultural collaboration, where the most interesting conversations take place and ideas take shape.
The Museum for Islamic Art's project, #CulturalxCollabs - Weaving the future, celebrates the transformative power of cultural exchange and the shared threads that unite us all. All the things we love, have loved and will ever love come from cultural exchange, migration and diversity, or as we like to call it #CulturalxCollabs.
100 carpet fragments, cut from a replica of the iconic dragon carpet, will travel the world (delivered by DHL). The fragments will ignite #CulturalxCollabs with co-creators, inspiring human ingenuity, fostering community and ultimately demonstrating how cultural exchange enriches all our lives.
Follow #CulturalxCollabs on Instagram as the project unfolds...
Join us on a journey with 100 carpet fragments as they travel around the world for three and a half years, finding temporary homes while bridging cultural boundaries, fostering worldwide community united by the power of human stories.
100 carpet fragments part of the "CulturalxCollabs - Weaving the Future" project. Follow their journeys through the ever changing owners' over three and a half years.
The star of the "CulturalxCollabs - Weaving the Future" project is a so-called Caucasian dragon carpet from the 17th century. A dragon carpet - all well and good - but: where is the dragon?