CulturalxCollabs: Fragment No. 15 highlighted © Museum für Islamische Kunst, Heiner BüldCulturalxCollabs: Fragment No. 15 highlighted © Museum für Islamische Kunst, Heiner Büld

Cultural x Collabs: Weaving the Future

Fragment No. 15

100 Fragment Journeys

This fragment is part of the "CulturalxCollabs - Weaving the Future" carpet.

Through the fragment we trace the journey of the fragment owners and their collabs as they explore, experiment and creatively advance socially relevant themes. Here is the fragment as we are sending it on this three and a half-year journey.

Follow this story to observe the transformations the fragment undergoes over the course of these years...

...AND ON WE GO...

...with Pravali Vangeti

Crafting Empowerment through Culture

At the cusp of pivoting my career from design to cultural heritage, I followed a whim and spent a couple of weeks in July 2017 in the remote village of Mithapur in Gujarat, India, where the craftswomen of the Rabari tribe spend their days weaving and sewing magic with their hands. I was there to work with Okhai, an initiative launched by the TATA Chemicals Society for Rural Development (TCSRD) to provide livelihoods for women in rural communities.

Over an unending supply of chai, I discovered the rich variety of crafts these women practiced. I joined the Okhai team as we set out to recruit more women from neighbouring villages—encouraging them to join the initiative during their non-farming seasons and turn their remarkable inherited skills into sustainable livelihoods. While there were many cultural nuances and sensitivities to navigate—each deserving careful respect—I was welcomed into every village and every home with a smile warmer than the tea they offered.

There are too many rewarding moments from those two weeks to recount, but one remains deeply meaningful: by the end of our visit, 99 women from surrounding villages had agreed to join Okhai, choosing to bring greater agency to their talent.

Every time I come across a piece of woven heritage—like the dragon carpet fragment—I’m transported back to the saline landscapes and ceaseless winds of Okhamandal, and to the proud women of the Rabari tribe whose craft continues to shape my understanding of culture and continuity.

I pass the fragment of the dragon carpet replica to the next participant in the hope that their interactions with culture have been as gratifying as mine!

The women of the Limbol Mahila Jyut, holding one of the pieces of work, from their self help group (SHG)

Tales of Tapestries

Three threads, three lands — one tapestry of memory stitched into the story of a traveler.

From the vivid appliqué of India, where cloth tells stories through needle and light—

To the earthen Kilims of Morocco, woven in rhythm with desert winds and ancient songs—

To a dragon-fragment from the Museum for Islamic Art in Berlin, whispering silk secrets of dynasties past—

these woven fragments are more than fabric. They are tokens of footsteps traced across borders, markets, museums, and moments. Their colour, texture, and tradition are living languages, spoken by hands across centuries.

These tapestries (at least two of them), are now part of my world, reminders that I am at my essence, when I am consumed in culture. Any culture.

As part of #CulturalXCollabs, I’d love to share how these woven wonders connect time, place, and purpose, bridging borders not with walls, but with our shared heritage.




















Top of the image: an appliqué piece from Okhai, Gujarat, India; mid-left: the fragment of the dragon carper; bottom: two pieces of kilim carpets from Essaouira, Morocco

The journey begins...

...with Michel Venne of World Heritage Studies Program @BTU in Cottbus

From across the world students come to Cottbus, Germany to study heritage and culture. Out of place and in an unfamiliar land, these individuals gather every year to welcome the new incoming batch of students to the World Heritage Studies program. Exchanging food, stories, and passions, this event marks the first of many which weave the student body into a powerful whole.

World Heritage Studies Welcome Dinners

In a traditional show of cultural collaboration, World Heritage Studies students at BTU Cottbus-Senftenberg have passed the fragment to their yearly welcome dinners held with first year and second year students. As an international student body with over 34 countries represented, these dinners allow people of different cultures and background to unite in Cottbus over food, creating the rich tapestry of an international student body.

CulturalxCollabs: Fragment No. 15 © Museum für Islamische Kunst, Heiner Büld

Look closely

Front and Back

About the Project

The Museum for Islamic Art's project, #CulturalxCollabs - Weaving the future, celebrates the transformative power of cultural exchange and the shared threads that unite us all. All the things we love, have loved and will ever love come from cultural exchange, migration and diversity, or as we like to call it #CulturalxCollabs.

100 carpet fragments, cut from a replica of the iconic dragon carpet, will travel the world (delivered by DHL). The fragments will ignite #CulturalxCollabs with co-creators, inspiring human ingenuity, fostering community and ultimately demonstrating how cultural exchange enriches all our lives.

Follow #CulturalxCollabs on Instagram as the project unfolds...

...or learn more here

Weaving the Future

Join us on a journey with 100 carpet fragments as they travel around the world for three and a half years, finding temporary homes while bridging cultural boundaries, fostering worldwide community united by the power of human stories.

Fragment Journeys

100 carpet fragments part of the "CulturalxCollabs - Weaving the Future" project. Follow their journeys through the ever changing owners' over three and a half years.

Where is the Dragon?

The star of the "CulturalxCollabs - Weaving the Future" project is a so-called Caucasian dragon carpet from the 17th century. A dragon carpet - all well and good - but: where is the dragon?