CulturalxCollabs: Fragment No. 23 highlighted © Museum für Islamische Kunst, Heiner BüldCulturalxCollabs: Fragment No. 23 highlighted © Museum für Islamische Kunst, Heiner Büld

Cultural x Collabs: Weaving the Future

Fragment No. 23

Fragment Journeys

This fragment is part of the "CulturalxCollabs - Weaving the Future" carpet.

Through the fragment we trace the journey of the fragment owners and their collabs as they explore, experiment and creatively advance socially relevant themes. Here is the fragment as we are sending it on this three and a half-year journey.

Follow this story to observe the transformations the fragement undergoes over the course of these years...

...AND ON WE GO...

...with FINE Mortuary College

Kevin Koch, President of FINE Mortuary College from Niagara Falls New York State with Maggie.

World War 2 Memorial and Lincoln Monument in Washington DC

Thank you for the opportunity to participate in the project. It has been a great story to share.

The journey begins...

...with Dr. Fabian Lenzen

The Diversity of Funeral Culture and a Small Piece of Carpet

Since the beginning of December, a small piece of a carpet has been hanging in the Federal Training Center for Funeral Directors in Münnerstadt. What's the story behind it? In fact, the fragment is part of a project by the Museum of Islamic Art at Pergamonmuseum. For the CulturalxCollabs project, the newly weaved doppelganger of the Caucasian Dragon Carpet, which has been in the possession of the Berlin Museums for 140 years, was divided into 100 individual pieces, which will "travel" within Germany until 2027 to different places representing our funeral culture. Therefore, as seen in the pictures, the carpet fragment has already visited our mourning station at the Ohlsdorf Park Cemetery in Hamburg. The first picture shows our managing director, Stephan Neuser, and the master of the Funeral Directors' Guild of Berlin and Brandenburg, Dr. Fabian Lenzen, with the fragment.

The project aims to encourage thinking and dialogue about diversity and interculturality. In the 21st century, intercultural competence and knowledge of various funeral cultures are essential skills for funeral directors and contribute to an open dialogue about mourning and funeral culture. Despite the differences in cultures with their unique funeral traditions, our commonality lies in honoring the deceased, a practice that has been upheld by people for tens of thousands of years.

Connection to the Theo-Remmertz Academy and the Foundation for German Funeral Culture

Every region of this world, every religion, and every community has its funeral culture. What they have in common is that people worldwide have been burying their dead for tens of thousands of years. The dignified treatment of the bodies of those who have passed away, combined with various rites, actions, and transcendence ideas, distinguishes and connects us at the same time. In the modern societies of the 21st century, influences from various cultures, religions, and regions increasingly mix or coexist in close proximity. This is particularly evident in urban agglomerations. Intercultural competence, knowledge of the significance of other funeral cultures, and openness to changing concepts are more important than ever for undertakers and young people training to become funeral professionals.

What we are doing with the carpet fragment

The carpet fragment travels to different places in Germany that are significant for our funeral culture and its preservation and transformation. At the same time, it will repeatedly be displayed at the Federal Training Center for Funeral Services, the Theo-Remmertz Academy. In all these places, it is intended to invite reflection on diversity, interculturality, and the exchange of ideas. In April, the carpet fragment was passed on to an international partner who is a funeral culture actor in another part of the world, before finally becoming part of the overall project again. In 2027, all 100 fragments are to be reunited in the then newly reopened Pergamon Museum.

CulturalxCollabs: Fragment No. 23 © Museum für Islamische Kunst, Heiner Büld

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Front and Back

About the Project

The Museum for Islamic Art's project, #CulturalxCollabs - Weaving the future, celebrates the transformative power of cultural exchange and the shared threads that unite us all. All the things we love, have loved and will ever love come from cultural exchange, migration and diversity, or as we like to call it #CulturalxCollabs.

100 carpet fragments, cut from a replica of the iconic dragon carpet, will travel the world (delivered by DHL). The fragments will ignite #CulturalxCollabs with co-creators, inspiring human ingenuity, fostering community and ultimately demonstrating how cultural exchange enriches all our lives.

Follow #CulturalxCollabs on Instagram as the project unfolds...

...or learn more here

Weaving the Future

Join us on a journey with 100 carpet fragments as they travel around the world for three and a half years, finding temporary homes while bridging cultural boundaries, fostering worldwide community united by the power of human stories.

Fragment Journeys

100 carpet fragments part of the "CulturalxCollabs - Weaving the Future" project. Follow their journeys through the ever changing owners' over three and a half years.

Where is the Dragon?

The star of the "CulturalxCollabs - Weaving the Future" project is a so-called Caucasian dragon carpet from the 17th century. A dragon carpet - all well and good - but: where is the dragon?