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This fragment is part of the "CulturalxCollabs - Weaving the Future" carpet.
Through the fragment we trace the journey of the fragment owners and their collabs as they explore, experiment and creatively advance socially relevant themes. Here is the fragment as we are sending it on this three and a half-year journey.
Follow this story to observe the transformations the fragment undergoes over the course of these years...
...and on we go...
...with Asmaa and Mentalla Said
D O O D L E A N D T H E G A N G
Design for sisters Asmaa and Mentalla Said is first and foremost a form of storytelling, Doodle and the Gang, was founded on a simple yet profound belief: design can carry memory, and memory can connect us all.
Their journeys across cities, cultures, and landscapes became more than travel. Each place left behind a trace, a fragment of color, a ritual observed, an emotion that lingered. These fragments became the foundation of Postcards. The collection is their way of capturing the intangible: the fleeting details that shape our sense of belonging, distilled into a vision that others can feel for themselves. Their story is one of curiosity and passion, of transforming memory into an experience that can be shared.
It is about taking what once felt ephemeral, a street remembered, a place revisited in thought, and reimagining it as something timeless. Their story is one of curiosity, of passion, and of transforming memory into an experience that can be shared.
An ode to absence
This work begins not with what remains, but with what is missing.
Working from fragment #58 of the reconstructed dragon carpet, we turned away from the image itself and toward the spaces it no longer holds. The four clay pieces are shaped from the negative voids of the rug, giving form to what was lost. Their surfaces carry the imprint of the replica’s texture, a contact taken from an object that is itself already a translation of something damaged and incomplete. The clay, drawn from the earth and hardened by fire, mirrors the same elemental force that once contributed to the carpet’s destruction. In this gesture, loss and making become intertwined. What was erased is not restored, but rearticulated through another material, another time.
These pieces do not attempt to complete the original. Instead, they propose a parallel object, one that emerges from absence rather than presence. If the fragment continues its journey, these forms move alongside it in a different direction, carrying with them the weight of what can no longer be seen, but still leaves a trace.
Fragments I & II & III
Fragment IV
The journey begins...
...with Robin Canham
On my first day of the job as Conservator at the Royal Saskatchewan Museum, I met Bailey, the Curator of Indigenous Cultural Heritage. Bailey is a Métis Art Historian, an expert on Métis hooked rugs, and a gifted artist. Our roles often brought us together. What began as professional collaboration soon grew into a friendship.
Bailey shared her expertise about Métis rug hooking with me—a tradition stemming from resilience, creativity, and sustainability. Historically, Métis families repurposed worn textiles to create beautiful, functional rugs, and we had many exceptional examples of hooked rugs in the collection.
Our connection deepened when Bailey gifted me a hooked rug that she made. It was decorated with berries, a motif that resonated with both of us. We discovered that, despite our different cultural backgrounds—me as a settler and Bailey as Métis—we both carried fond childhood memories of picking berries with our grandmothers. That shared experience connected us.
CulturalxCollabs is about these moments: when traditions meet and create new understandings and context. Working with Bailey showed me that one aspect of cultural diversity is finding the common bonds that unite us.
When I saw this “Weaving the Future” collab I knew that I wanted to connect the dragon carpet fragment with the Indigenous rugs at the Royal Saskatchewan Museum and use it as a way to say thanks to Bailey for being my friend and enriching my world view.
We were both able to sign the back of the rug, and so the story continues.
Front and Back
About the Project
The Museum for Islamic Art's project, #CulturalxCollabs - Weaving the future, celebrates the transformative power of cultural exchange and the shared threads that unite us all. All the things we love, have loved and will ever love come from cultural exchange, migration and diversity, or as we like to call it #CulturalxCollabs.
100 carpet fragments, cut from a replica of the iconic dragon carpet, will travel the world (delivered by DHL). The fragments will ignite #CulturalxCollabs with co-creators, inspiring human ingenuity, fostering community and ultimately demonstrating how cultural exchange enriches all our lives.
Follow #CulturalxCollabs on Instagram as the project unfolds...
...or learn more here
Weaving the Future
Join us on a journey with 100 carpet fragments as they travel around the world for three and a half years, finding temporary homes while bridging cultural boundaries, fostering worldwide community united by the power of human stories.
Fragment Journeys
100 carpet fragments part of the "CulturalxCollabs - Weaving the Future" project. Follow their journeys through the ever changing owners' over three and a half years.
Where is the Dragon?
The star of the "CulturalxCollabs - Weaving the Future" project is a so-called Caucasian dragon carpet from the 17th century. A dragon carpet - all well and good - but: where is the dragon?
