CulturalxCollabs: Fragment No. 62 highlighted © Museum für Islamische Kunst, Heiner BüldCulturalxCollabs: Fragment No. 62 highlighted © Museum für Islamische Kunst, Heiner Büld

Cultural x Collabs: Weaving the Future

Fragment No. 62

100 Fragment Journeys

This fragment is part of the "CulturalxCollabs - Weaving the Future" carpet.

Through the fragment we trace the journey of the fragment owners and their collabs as they explore, experiment and creatively advance socially relevant themes. Here is the fragment as we are sending it on this three and a half-year journey.

Follow this story to observe the transformations the fragment undergoes over the course of these years...

When a woman goes on a journey, she has a story to tell... 17 women in dialogue

What happens when women from different walks of life set out to cross borders - not only geographically, but also culturally, emotionally and creatively? The political education trip to Jordan offered precisely this space. 17 women, initially strangers, became part of a moving exploration of what it means to be a woman - in the field of tension between patriarchal structures, creative self-empowerment and solidarity with one another.

‘CulturalxCollabs’ is the catchphrase that runs through this journey like a common thread. It stands for the many small and large encounters: with activists like Rana Husseini, with city guides like Lana, with refugees in the Collateral Repair Project, with artists, craftswomen - but also with themselves and the other women in the group.

Cultural collaborations emerged while knitting together, in conversations about love, resistance and everyday life, in the silence of the desert, under the starry sky of Wadi Rum or while looking at petroglyphs thousands of years old. Carpet fragment #62 - the symbol of this journey - connected everyone: as a symbol of the fragments that we are and the greater whole that we weave together.

This journey has not only connected countries, but also perspectives. ‘CulturalxCollabs’ became a space of experience in which empathy, art and political awareness formed new alliances - supported by women who have learnt to share their voices and weave their threads together.

Evelyne - The Beauty of Artivism

On March 12th, in the heart of Amman, Jordan, 17 women (strangers at the time gathered in a sun-drenched rooftop terrace downtown. We were there for an educational journey, a holiday of purpose, to explore gender equality and the refugee experience across Jordan. Little did we know at that point that carpet #62 had quietly joined us too.

As we immersed ourselves in stories of resilience, passion and strength, we discovered the magic of cultural collaboration and the gentle, powerful way art can spark connection. Conversations flowed more freely when we shared creative expression through knitting, weaving, sewing.

Then one afternoon, I saw it: a single word painted boldly on a wall. And something within me resonated.

As someone deeply passionate about women’s rights and driven to contribute meaningfully to society, this word spoke volumes. It embodied the perfect blend of what I love and what I stand for.

Knitting and weaving are far more than crafts, they are bridges. They cross cultures, generations, and beliefs. Each loop and thread holds a story. They create a shared space for dialogue, for empathy, for understanding. In a world so often divided, the act of making something together, something colourful, textured, diverse, reminds us of our shared humanity.

Artivism gives me a way to turn passion into purpose.

Marlene - People make the difference

Petra, Dead Sea and Wadi Rum all of them are unique and definitely worth visiting. Petra is an exeptional testimony of the Nabatean. Swimming or better said sitting in the Dead Sea is a very special experience and the Wadi Rum desert is beautiful.

But the highlight for me were the people. Jordanians are welcoming and hospitable.

Due to our wonderful tour leaders Juli and Celina we had the chance to meet many people with different backgrounds. We had interesting presentations, discussions and conversations. We had iftar in a friends garden; talked about dating, love life and much more. Meet other friends at a bar and learned more about the daily life and struggles of Jordanians. As the people were so welcoming, we didn‘t feel like strangers.

The time in Jordan was also wonderful due to the amazing women of the group. All of them caring, empowering and with a big heart.

Besra - Courageous women of Amman

My highlights on the trip to Jordan were meeting courageous women in Amman - like Lana, a young city guide with a lot of positive energy, and Rana, a journalist and human rights activist with a lot of calm and composure - who have gone their own way despite all the adversity.

Sabine - The third of the wonders of the modern world: Petra

Our carpet piece #62 is in Petra, a section of a whole carpet, albeit only a part of a copy of a real carpet, the Dragon Carpet. This piece, like the original, has travelled around the world and now hangs in a kiosk in Petra alongside other carpets, as if searching for its other parts to make it complete again. It reminds me of Plato's Symposium. Zeus has cut man in half, only for him to spend the rest of his life searching for his other piece (love).

Tessa - Being a woman as a common language

For me, the talks outside the official programme were an absolute highlight.

I had the chance to speak openly with inspiring, strong women. From everyday things like dating to political topics. I realised that the experiences of women all over the world trigger an unspoken understanding in me. Even though we live in different cultures and places, being a woman is a consensus that we share.

Experiencing and observing this was incredibly exciting. Often it didn't take a lot of words to explain feelings or social roles, but a ‘...you know what I mean’ was enough and we all nodded in agreement because we knew exactly what was meant.

No feminist principles had to be explained and nobody denied a woman's experience or expertise. They were encounters at eye level and an exchange between generations and cultures that touched me deeply and is still very much on my mind today.

Tine - One group, many perspectives






In addition to what Tessa wrote, our group was also a highlight for me. My impression was that the idea of deliberately choosing a women's group worked really well for all of us and the group experience and also enabled us to gain the great insights that Tessa described. I thought it was wonderful to see what a difference a harmonious, considerate group can make. And for me it was very valuable to hear the different perspectives.







Franziska - peace, expanse, connectedness

For me, a real highlight was the end of the trip in the desert. The vastness and tranquillity, the time for ourselves and in the group, the conversations around the campfire and understanding that a large part of the country is characterised by the desert landscape and this special atmosphere.

Antonia - Between silence and street art

The contrasts of the country remain particularly impressive in my memory. On the one hand, the desert in its silence and infinitely beautiful vastness. At the same time, I also fell in love with bustling Amman with its friendly people, the colourful hustle and bustle (especially at night during Ramadan), the hills, winding staircases and all the street art. I could have strolled around the city for hours with our guide Lana, looking at the houses, graffiti and murals and learning about the stories and struggles of the city and the people behind them.

Ute - Nothing is in a hurry in the desert

It's not so easy to pick out a sultana from the diversity of these 10 days. It's a bit like having a big, beautiful carpet and having to concentrate on just one section. There were so many intense experiences on this trip that even taking a break towards the end became an event for me:

The midday heat still hangs over the camp. In the morning we went for a short hike in the area, sun, rocks, sand, dry plants and even more sun. There's not much more movement possible, it's now far too hot for any major activities. Everything is slow and sluggish.

After lunch, I sink onto one of the mattresses in the communal tent. I'm not the only one. Dozing, sleeping, reading, drinking, nodding off again. There's nothing to do this afternoon. And it's quiet. Unusually quiet. No distant city - country - street - noise. Just the occasional bird's voice or aeroplane, a yawn, a sneeze, the rustling of book pages. This lazy day in the desert is a gift after all the impressions. So much information, places, encounters, appointments. Finally some peace and quiet. We are away for a moment. No internet, no social media, no news, no contact with the rest of the world. The soul can catch up, the mind can calm down, the body appreciates the siesta. I enjoy the cosy idleness and the prospect of more of the same. There's no rush today.

My doze is suddenly interrupted. Someone somewhere is shouting something. For a moment, I think how absurd what I'm seeing is. Why is a camel looking in the window? Where did it come from? Apparently there's nothing exciting to see here. Rocking, the big animal moves on towards the food tent. A second one appears... Which can also happen in the desert.

The city in Iraq where my husband comes from is also surrounded by desert. Much of this journey through Jordan reminds me of my stay with his family two years ago in July. However, it was much hotter. During the brief power cuts, all you could do was stay as motionless as possible and hope that the fans would start rotating again soon. When the sun went down, life began. People came out of their houses, visited each other, ate and drank. Carpets and mattresses were laid out on the lawn and a sofa was placed there. We sat outside the house until around four in the morning, drinking tea, playing games, talking. Sometimes someone would go off to the side for a short while, lay out a small carpet in the direction of Mecca, have a few minutes of individual contemplation and then return to the group. Everyone for themselves, without fuss.

The shape of carpet fragment #62 here on the trip to Jordan immediately reminded me of a prayer rug. It's a bit small, but it would work if there wasn't a ‘real’ one to hand. The main thing is that there is something between the ground and the person praying. If necessary, even a piece of clothing or a piece of newspaper will do.

Travelling through Jordan, I am so much closer to Hussein's culture than I am at home in our everyday lives. And so he is always a little bit in my thoughts.

The camels move on after inspecting our camp and not finding it particularly interesting. Nothing going on here, no food on offer. They probably belong to a cousin of our hosts. Where are they going? No idea... I'm getting sleepy again. It's still very warm and I could laze around a bit until sunset. There's no rush in the desert in the afternoon.

Mira - Amman - Refuge in a network of humanity

Collateral Repair Project - CRP for short - stands for a collective, for people who come together and support each other. CRP is an organisation in Amman, Jordan, that is there for people with a refugee background from Iraq, Syria, Sudan, Somalia and Yemen. In addition to emergency aid, such as food vouchers, and educational and leisure programmes, it primarily offers one -emotional support.

The collective (collatral) is like an interwoven thread that brings everyone here together and creates a dense fabric for and with everyone. A fabric that provides a safe net, a carpet for resting, sharing and healing - in Amman, the capital and centre of Jordan, which has become the temporary home of many refugees.

CRP is our first port of call on our women's educational journey in the city centre in the middle of the historic Wasat al-Balad (Old City). Our conversations with the strong organisers and staff are accompanied by a young man who joins us a little later. He quietly enters the room where we are discussing the programmes for primary school children. Very quietly, he follows us across the inner courtyard into the workshops where cloth bags and sacks are sewn from collected old clothes and plastic in order to sell them as colourful handmade products and support the people here.

He has been standing next to me for a while and I wonder how he got into photography and CRP. And so I speak to him - just as quietly. I learn that he is from Iraq and learnt photography in a workshop here. Presumably as part of an advanced training opportunity for young refugees who otherwise have no access to the regular training system and labour market, as I find out later. He shows me his projects and expressive photos on his mobile phone. They are pictures and scenes in which, like CRP, he brings people from different countries and refugee contexts together and uses the medium of the camera to create a visual dialogue. And so he continues to weave the thread of the collective that carries him and can now also carry others. A fabric that offers a safe net, a carpet for resting, exchanging and healing - in Amman, the capital and centre of Jordan, which has become the temporary home of many refugees.

Sophie - Community experiences

My sister has been dreaming of becoming a mum for half her life. A few days before we crossed Wadi Rum, I received the news that I had become an aunt.

Shortly afterwards, we visited a 2500-year-old petroglyph in the desert: on the left, a woman giving birth, the child half-born. In the centre a figure, probably the father, with his arms raised.

On the right, someone holding the newborn upside down. We were told that this used to be a good place for births. I sent the photo to my sister. We were both very impressed.

The petroglyph reminds us how ancient and communal this experience is. It connects us to all people - across time, space, class and culture.

Sandra - Travelling brings people closer together

In my heart, I take Lana, our neighbourhood guide, with me into my world. I, who have always loved freedom and attached great importance to being able to make decisions for myself.

Lana, out shopping with her brother, was talking to a man. As a result, she had to become his wife. Although she divorced from this first marriage and returned to her family, she was allowed to meet her future husband twice in her second marriage, but a third time without being married to him was not possible.

Despite this social constriction of not being allowed to make decisions for herself as a woman, I perceived Lana as a self-confident young woman, laughing, radiating energy, not accusing, not bitter. Although the outward impression may be deceptive, I still admire her for her successful deception.

Travelling brings people closer together, people who would probably never have met in their previous lives - this is what happened to my ‘room sharer’ Angela, to whom I am happy to pass on the story.

Angela - The power of empathy

Thank you for passing on the thread and the spun network of stories. It was a very nice and very exciting trip with a group of great women. Today and yesterday I enthusiastically told friends about it and showed them photos. The trip gave me a lot of strength. I think the strength came from the empathy field that the group had formed, the empathy that the people in Jordan showed us and that they had for each other - at least that's how it always looked to me as an outsider standing outside of society. The carpet carried us along and flew through time, was our protective shield in a time of crisis and murder. We can pass on this strength, each in our own place. We are privileged and can utilise our privileges.

The trip had many highlights for me: the city of Amman with its many staircases, murals, smells of food and herbs, friendly, thoughtful people, activists and philanthropists, fasting and praying people, women in jeans and veiled women laughing with each other, the cooling wind on the hills. A conversation with human rights activist and journalist Rana Husseini.

Her source of strength is the knowledge and awareness that she is part of a positive change movement and has directly and indirectly saved lives. The Dead Sea, which separates Israel and Jordan and which may soon disappear because too much water is being extracted everywhere. Floating in the water and the sharp salt crystals. The views of Jericho and Hebron in the West Bank, St George's Church with its map mosaic and place names that have been familiar since childhood. Perhaps the biggest highlight for me was the Wadi Rum desert, with its changing rock colours, the sun, the starry sky and the opportunity to listen to the silence without a smartphone. On the last day, we were able to swim directly from the beach to the coral in Aqaba and experienced a day in the heat after the slightly cooler days at the beginning. I am grateful for the gift of this trip.

Now, on Easter Monday, I pass the thread on to Dominique and look forward to my dinner. Among other things, there's baba ghanoush.

Dominique - Where books build bridges






My particular highlight is the ‘Zaman’ library in Madaba. It was a cold day and my interest in the programme was largely extinguished that morning when we entered the cosy rooms. Founder Ronda al-Qonsul has set up a free public library in her father's old house. She has created a meeting place that offers books, games and homework support. Children can find a place to study there. I sympathise with the idea of putting the inherited family home at the service of the community. And I like the host's attitude of maintaining conceptual independence and foregoing donations in return.







The Panda Café in Sanliurfa, Turkey, is another special place that is characterised by a certain unwaveringness. Mohammad, a refugee from Syria, put his heart and soul into opening this café. His first café was destroyed in the 2023 earthquake. However, Mohammad stuck to his plan despite the difficult circumstances and reopened the café in 2024. Mohammad also wants to offer a place for people to meet, a meeting place for his fellow refugees. Guests are invited to linger without any pressure to consume and can take their time to read the books on offer.

Mohammad is also involved in an anthology of collected stories from the war in Syria, which I purchased during my visit to his café in May 2024. I will now send this book to the library in Madaba by post and hope to perhaps create a connection between these two places and the readers in this way.

Cornelia - We must not stop communicating!

It is 21 March 2025 when we visit Mohammad on our journey through Jordan. Mohammad Atiyeh and his PeaceWadi show that peace does not have to be a distant goal, but starts here, in small acts of cohesion - between cultures, generations and countries. A garden, a festival, a day's work together: these are the threads with which we weave the future - together and for everyone. With a view from his terrace towards Jerusalem, which is only 39 kilometres away, he tells us his story and appeals to us: We must not stop communicating! These words take on added meaning in this place.

Open, continuous dialogue is essential for understanding, cohesion and peace - especially in a world full of differences and conflicts. It is the first step towards mutual understanding and living together.

In conclusion, I can only say that this trip has opened up spaces in which experiences have been shared, role models reflected upon and new alliances forged. It has shown that what unites us often lies in the everyday - in listening, in asking questions, in doing things together.

Take a look at fragment #62's most recent vlogs!

NYE by the sea







Fragment #62 spent new year’s eve by the sea at Germany’s northernmost point.

Immanuel Church in Berlin







It later visited the beautifully painted Immanuel Church (Immanuelkirche) in Berlin’s Prenzlauer Berg district. 

The Phoenician-Punic Necropolises of Djebila and Aïn Dalia Kebira

In a unique collaboration, international archaeologists and conservators are working together to study, restore, secure, and preserve the cultural significance of two important Phoenician-Punic necropolises in North Africa, Djebila and Aïn Dalia Kebira, for future generations. These ancient burial sites, which reflect the rich heritage of the Phoenicians, offer fascinating insights into the cultural history of the Mediterranean.

This is a striking example of how international collaboration builds bridges between history and the present, deepening cultural exchange.


Das Team: Museumsleitung Saoussane Yahia, Projektleitung Dirk Blaschta Dai Madrid, Oliwia Ullrich, Patricyja Siuta, Ulrike Uhlig, Mustafa Berrak, Alexandra Jeberien HTW Berlin

A carpet in a relay race?

The Stiftung Preußischer Kulturbesitz has been participating in the 5x5 km team relay organized by the Berlin Water Companies for years. In 2024, we even brought 19 relay teams to the start. That's a lot of colleagues, many of whom you might not otherwise get to know.

We participated on May 15, 2024, the second of three race days. About 2,000 relay teams run each day, in addition to the Bambini races.

As wonderful as it is to have so many people participate in such a large event, problems do arise. Besides the unavoidable dust cloud from the churned-up ground, there's also the all-important baton exchange.

When 2,000 runners are waiting for their batons in the exchange zone in front of the Federal Chancellery, it can get quite chaotic.


The only solution is to communicate well and coordinate effectively...


...and to have a truly unique identifier with you – such as a carpet fragment.


Running times and placements are a topic, but rather a secondary one. We secured a good spot in the middle of the field. In any case, it was fun, and the baton exchange with the carpet worked so well that we will be back at the start next year, of course, not without our fragment #62!















Foto: O. Vollert
Foto: O. Vollert

The greek Easterbread

In Greece, during Easter, in addition to the traditional red-dyed eggs often adorned with patterns of flowers and leaves, there is also an aromatic sweet bread flavored with spices such as mastic and mahlep. Last week, the colleagues from the museum team also had this bread. Wait, last week? Wasn't Easter several weeks ago? No, it wasn't – because the Orthodox Easter rarely coincides with the Western Easter!


Called πάσχα (ˈpasxa) in Greek and Пасха (ˈpasxa) in Russian, derived from the Jewish פֶּסַח (pésach), Easter is the most important festival of the year for the Orthodox Church, commemorating the resurrection of Jesus. Easter is a moveable feast, meaning the exact date is calculated anew each year based on the lunar cycle, similar to the Jewish and Muslim calendars.


While in the Bible, the death and resurrection of Jesus coincided with the Jewish Passover, and the early Christians celebrated them together, later church leaders decided to link the Christian Easter to the beginning of spring. By the way, this time of year has also been significant for many pre-Christian traditions and cultures! Since then, a highly complex calculation system has been used to determine the date of the festival – different in the Western, or Catholic and Protestant, churches and in the Eastern, or Orthodox, churches. Thus, it happens that Easter is celebrated up to 5 weeks later in Eastern Europe and countries around the eastern Mediterranean than in Western Europe.


Orthodox Easter was celebrated this year on May 5th – the sweet Easter bread is baked a few days before the holiday and eaten on Easter Sunday and the days following, after the traditional approximately 50-day fasting period.

Internship Diaries

Victoria and the Museum

Fragment #62 accompanies our intern for two weeks.

A Visit of the Museum's Permanent Collection!

My student internship begins with a tour of the museum's permanent exhibition, which is currently being dismantled and prepared for relocation. The first stop we visit is the Mshatta Facade. The facade is currently disassembled into individual parts and being prepared for relocation to the North Wing. Fragment #62 is always with us. The forklift truck makes the heavy load easier for us. Most objects from the exhibition rooms have already been taken down and packed, entire rooms are empty. But we spot something that is still hanging. A colorful "Lady in the Bathing Castle" is a poster of a wall painting that will be displayed in the new permanent exhibition. The painting originates from the bath of a desert castle in Amra, in the Jordanian desert. The original is currently undergoing restoration and is being prepared for relocation.

The museum is moving. How do you pack objects properly? After all, you can't just pack the objects in any ordinary moving box like you would for moving houses. For the move, you need many boxes and pallets, all of which must have standard dimensions to facilitate transportation. So, we measure the carpet fragment. But no, we realize unfortunately, that the fragment is too large for our (mini) box.

Next, we have a bit of geography lesson with the carpet. We look for places where you can find beautiful carpets on the map. Finally, we are in the Aleppo Room. The glass barrier that normally separates you from the Aleppo Room is overcome today with the carpet for you. Restorer Dr. Anke Scharrahs lets us into her workshop, where she works on parts of the wooden room's wall paneling. Our carpet fragment hangs loosely over her chair while she confides some secrets from her daily professional life to us.

A visit to the Museum Europäischer Kulturen in Dahlem

The joint excursion to the Museum Europäischer Kulturen in Dahlem took place in early February 2024. We accompanied our FSJ volunteer Anni and Victoria, who completed a two-week internship with us, on the trip. Fragment #62 was, of course, with us every step of the way!

The exhibition "Flechten" at the Museum für Europäische Kunst was very appealing. We tried out the media stations and interactive activities. The fragment fluttered in now and then as well. The station where you could braid your own bracelets was a lot of fun for both of them, so we made ourselves comfortable there for a short time. Victoria braided her own friendship bracelet, and Anni tried her hand at a braiding technique with cardboard.

Finally, we visited the special exhibition "LÄUFT!" at the MEK and learned about the topic of menstruation. For us, the question was how to convey such a topic to museum visitors and what innovative ideas the curators have implemented. The exhibition is very well done, and a visit is highly recommended. Of course, the carpet fragment couldn't be missing to accompany us.

A visit to the Botanischen Garten

After visiting the Museum of Europäische Kulturen in Dahlem, we continued to the Botanischen Garten, where we wanted to take a closer look at the exhibition concept of the tropical house and the individual areas with the plants. How are the plants arranged in the tropical house? How exactly does the "exhibition space" there work? Are the plants arranged arbitrarily?

From the beginning, we took the carpet fragment with us. First, there were underwater plants to admire, then we went straight to the tropical house. Everything was bigger than expected! Subsequently, we looked at the plants on-site and found out where they come from. Naturally, it was interesting for us to see which plants, for example, from the Middle East are found there. During our excursion, we also addressed the question of how the plants are presented to the visitors. The labels were studied intensively and compared with the requirements for a museum. We also searched for medicinal plants that have been (and are) used in Arabic science, for example, for tinctures.

We really did take the carpet with us and integrated it into the exhibition as you can see in the photos below. Naturally, we made sure that the plants were not damaged. One should not sit on the cactus, as that would be very painful. Therefore, Victoria decided to settle comfortably beside the cacti on the carpet, inspecting the cactus spikes from a safe distance.

The day flew by so quickly, and it was already dark when we left the garden. Finally, we say our goodbyes and bid farewell (and "Adieu" as Victoria, who is from Switzerland, would say). It was a wonderful excursion with many surprising moments!

A visit to the Escape Room at the Einstein Center

We arrived at the Einstein Center and had been looking forward to exploring the escape room together with our dear colleagues from the Technical University and the Humboldt University for days. Robert Richter (TU) was so kind to show us the room and guide us through the escape game. He didn't help us, that much we can reveal at this point. Clara and Miriam accompanied us that day.

We started directly with the carpet fragment under our arms for the puzzle adventure, feeling confident that we could solve all the riddles. None of us had prior experience with quantum technology. Our task was to start a quantum computer because there had been a hacker attack, and only it could muster the computing power to fend off the attack. Robert gave us a few tips and then (quite casually) started the timer. We only had 35 minutes to crack the escape room. Naturally, we immediately panicked about how to solve the puzzles.

There were many puzzles, such as a "radioactive" plant that could open a secret compartment. To do this, we had to use a Geiger counter to see where there was "radioactive radiation" in the room. Of course, it wasn't real radiation. Lucky for us! The puzzles were quite tricky, so we had to think really hard several times. They didn't make it easy for us in that escape room!

All in all, they were great puzzles. We finished in under 35 minutes (33:50 to be exact). The hacker attack has been successfully thwarted! YES! YEAH!

Once again, a big thank you to Robert, Clara, and Miriam for allowing us to come to the Einstein Center and solve the escape room together with you.

Visiting the museum's construction site

Fragment #62 embarked on its first adventure in January 2024 as part of a long journey. During a weekend in January, the small carpet accompanied Stefan Weber, the director of the Museum for Islamic Art, on a tour of the construction site for the museum's new permanent exhibition.

Currently, everything is under renovation there – it's a construction site with all the elements it entails. The construction work is expected to be completed in the year 2027. To build anticipation, the fragment was taken as a kind of prelude to the new museum era into the new spaces.

The two-hour tour was accompanied by very interesting explanations from the museum director about the upcoming new construction. In the Garden Hall, the carpet was then placed in a location where a carpet will occasionally be exhibited.

Stefan Weber explained to the interested audience the layout of the exhibition space. Furthermore, the CulturalxCollabs - Weaving the Future project, centered around Fragment #62, was presented.

In early February, the carpet will embark on a short journey again, which we will be happy to report on, and then it will continue to an as-yet-undisclosed location, which we will soon reveal.

The Journey begins...

...with the Museum für Islamische Kunst

Fragment #62 begins its journey from the vernissage on 23. September 2023 and is currently taking rounds of the Museum for Islamic Art's offices, including the coffee room and visiting the workshop in the Archaeological Center.

CulturalxCollabs: Fragment No. 62 © Museum für Islamische Kunst, Heiner Büld

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Front and Back

About the Project

The Museum for Islamic Art's project, #CulturalxCollabs - Weaving the future, celebrates the transformative power of cultural exchange and the shared threads that unite us all. All the things we love, have loved and will ever love come from cultural exchange, migration and diversity, or as we like to call it #CulturalxCollabs.

100 carpet fragments, cut from a replica of the iconic dragon carpet, will travel the world (delivered by DHL). The fragments will ignite #CulturalxCollabs with co-creators, inspiring human ingenuity, fostering community and ultimately demonstrating how cultural exchange enriches all our lives.

Follow #CulturalxCollabs on Instagram as the project unfolds...

...or learn more here

Weaving the Future

Join us on a journey with 100 carpet fragments as they travel around the world for three and a half years, finding temporary homes while bridging cultural boundaries, fostering worldwide community united by the power of human stories.

Fragment Journeys

100 carpet fragments part of the "CulturalxCollabs - Weaving the Future" project. Follow their journeys through the ever changing owners' over three and a half years.

Where is the Dragon?

The star of the "CulturalxCollabs - Weaving the Future" project is a so-called Caucasian dragon carpet from the 17th century. A dragon carpet - all well and good - but: where is the dragon?