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This fragment is part of the "CulturalxCollabs - Weaving the Future" carpet.
Through the fragment we trace the journey of the fragment owners and their collabs as they explore, experiment and creatively advance socially relevant themes. Here is the fragment as we are sending it on this three and a half-year journey.
Follow this story to observe the transformations the fragment undergoes over the course of these years...
Fragment #93 of the replica of famous 400-year-old Dragon Carpet began its global journey by being a guest of the European Heritage Volunteers Network and the Open Air Museum of Lithuania (Lietuvos Liaudies Buities Muziejus). This momentous occasion took place at the 2023 European Heritage Volunteers Conference “Heritage and People," hosted by the Open Air Museum of Lithuania in Rumšiškės, Lithuania, on the 6th of October, 2023. The event was part of the 3-day “Heritage Forum” jointly organised by the Open Air Museum of Lithuania and the Ministry of Culture of Lithuania.
The fragment was introduced to an audience comprising heritage professionals and representatives from heritage institutions and organisations across Europe who attended the conference. They learned about the rich history of the carpet and the profound symbolism behind its journey. Juan Carlos Barrientos presented the carpet, and it was greeted on behalf of the event by Gita Šapranauskaitė and Aistė Lazauskienė, Director and Deputy Director at the Open Air Museum of Lithuania resp., by Sigita Bugeniené, Advisor at the Cultural Heritage Policy Group of the Ministry of Culture of Lithuania, and Bert Ludwig, Director of European Heritage Volunteers, who extended their warm greetings to the project CulturalxCollabs. Weaving the Future.
In the upcoming months before the time is due to pass the carpet fragment to the next collaborator, the carpet will travel to Honduras to meet with the famous Lenca indigenous women weavers of Intibucá, as well as meeting the heritage authorities of Honduras.
As part of the CulturalxCollabs project, I had the remarkable opportunity to visit El Cacao in the mountains of the Intibucá region of Honduras, where I met with Enemesia Gonzalez, an indigenous Lenca weaver, bringing with me fragment #93 of Berlin’s Dragon Carpet.
My visit aimed to bridge two distinctive mountain weaving traditions: the intricate patterns of the Caucasus Dragon Carpet and the vibrant, woolen textiles of the Lenca people, renowned for their role in shaping the modern Lenca living culture and being protagonists of a new wave in national identity constructions in Honduras. This encounter not only highlighted the rich tapestry of Lenca traditions passed through generations but also illustrated how global and local cultural narratives can intertwine, fostering a deeper appreciation and understanding of our shared cultural heritage.
Enemesia expressed joy in sharing her vibrant Lenca weaving arts and participating in the CulturalxCollabs project. She also voiced the importance of Hondurans recognising their artisanal heritage and addressed the ongoing struggles for cultural recognition faced by the Lenca people. Despite the emerging appreciation of their colourful cloths as new symbols of Honduras’ cultural identity, Enemesia highlighted that the Lenca community continues to be overlooked and marginalised, struggling with poverty and lack of real representation in the broader national narrative.
During a brief visit to the National University of Honduras’ Center of Art and Culture of Comayagüela in Tegucigalpa, “Mayan Motifs Carpet,” a rare woven artwork by Honduran artist A. López Rodezno, was displayed alongside fragment #93 of the “Dragon Carpet” from the “CulturalxCollabs - Weaving the Future” project. The visit was marked by discussions led by Joel Barahona, an expert in López Rodezno’s work, Ms. Nadia Caceres Head of the Museum Dpt. and Dr. Olga Joya, the Director of CAC-UNAH, focusing on the comparison of these culturally significant pieces.
This special gathering, highlighted the cultural significance and artistic connection between the historical and the contemporary. The integration of the “Dragon Carpet” fragment with López Rodezno’s “Mayan Motifs Carpet” at CAC-UNAH provided an enriching experience, celebrating the legacy of Honduran art and fostering a deeper understanding of cultural heritage through international collaboration.
A. López Rodezno, a key figure in Honduran art, was the first Director of Honduras’ Academy of Arts (Bellas Artes), and the National Painter for the Regime of Tiburcio Carias Andino (1933-1949). He created “Mayan Motifs Carpet” circa 1970, at a later stage of his life when he began experimenting with other forms of plastic art. The carpet was to serve as a representative of the rich cultural identity of Honduras inspired in the Ancient Maya. His art, as expressed in numerous paintings, murals, ceramics and engravings, as well as in book illustrations, beautifully showcases the country’s glorified indigenous past while romanticizing the rural life of the “hard working Honduran peasant”, making his contributions invaluable in representing Honduran national identity as it was conceived in the 20th century through visual arts.
The Museum for Islamic Art's project, #CulturalxCollabs - Weaving the future, celebrates the transformative power of cultural exchange and the shared threads that unite us all. All the things we love, have loved and will ever love come from cultural exchange, migration and diversity, or as we like to call it #CulturalxCollabs.
100 carpet fragments, cut from a replica of the iconic dragon carpet, will travel the world (delivered by DHL). The fragments will ignite #CulturalxCollabs with co-creators, inspiring human ingenuity, fostering community and ultimately demonstrating how cultural exchange enriches all our lives.
Follow #CulturalxCollabs on Instagram as the project unfolds...
Join us on a journey with 100 carpet fragments as they travel around the world for three and a half years, finding temporary homes while bridging cultural boundaries, fostering worldwide community united by the power of human stories.
100 carpet fragments part of the "CulturalxCollabs - Weaving the Future" project. Follow their journeys through the ever changing owners' over three and a half years.
The star of the "CulturalxCollabs - Weaving the Future" project is a so-called Caucasian dragon carpet from the 17th century. A dragon carpet - all well and good - but: where is the dragon?