2022_Volo_ISL_Mosaik__04.jpgDepotschublade mit Keramikscherben © Staatliche Museen zu Berlin, Museum für Islamische Kunst, Foto: Christian Krug

Destroyed, Divided, Complemented

In:complete

Stories behind unfinished and broken objects

About the exhibition

What remains when something is incomplete? The cross-collection exhibition In:complete traces the stories behind unfinished and broken objects – from antiquity to the present day. Why does Adolph Menzel's portrait of a woman have a cut-out eye? Why were two ancient vases joined into a single vessel in the 19th century?

Fragments fascinate and unsettle in equal measure. They bear witness to wars, catastrophes and shifting tastes – and raise a fundamental question: what actually makes an object whole?

Explore six chapters full of gaps, absences and surprising discoveries.

un:certain ♦ How can the museum protect its works of art from destruction? un:important ♦ What does a museum collect and how does it preserve objects for future generations? un:real ♦ Are only masterpieces and authentic relics of the past on display in a museum? un:seen ♦ When is a work of art considered complete? un:usable ♦ What does collecting do to objects and by what criteria are they musealized? un:forgettable ♦ How do we understand art in the age of its reproducibility?

un:forgettable

I want that too!

Verkaufskatalog

un:important

"Trash or Treasure?"

Kat-1_andererBlick_ISL_Schubalde.jpg

un:known

Is this even real?

Vase-BW.jpg

un:protected

When objects turn into fragments...

Kniende_Kaputt.jpg

un:seen

Is this finished yet?

Bildhauerstudie_Nofretete

un:usable

Who is speaking here?

Stickereistreifen von Festtagsblusen aus der Gegend um Hluk (heute Tschechische Republik) Anfang/Mitte 19. Jahrhundert © Museum Europäischer Kulturen, Staatliche Museen zu Berlin