Museum für Islamische Kunst, Staatliche Museen zu Berlin, Fotograf: Erhard Glitz (ge-d-15-03-22) CC0Museum für Islamische Kunst, Staatliche Museen zu Berlin, Fotograf: Erhard Glitz (ge-d-15-03-22) CC0

Eyes wide open

A photographic journey of discovery through Turkey – 1920 to 2000

About the project

The image archive of the Museum for Islamic Art holds numerous extraordinary photographic records of Turkey. Due to the historical ties between the museum, Germany and Turkey, the idea arose to make these photos accessible to a wider audience – so that they would not just remain as originals in the museum archive.

Here we present photos from three collections taken in Turkey between the 1920s and 2000s by German travellers Wolfgang Zorer (1889–1939), Erhard Glitz (1904–1969) and Josef Härle (1937–2015). The subjects of these photos are not limited to historical sites and landscapes, but also reflect everyday life in cities and rural areas. Many of the slides by Erhard Glitz and Josef Härle were taken during the period when most of the labour migrants then known as "Gastarbeiter" (guest workers) were coming to West Germany and Berlin. These digitised photo collections invite you to trace the cultural history of the regions depicted.

We reached out to people with and without Turkish family backgrounds and asked them about the associations these images trigger or the memories they evoke. In autumn 2025, we displayed printed photos first at the Friday market on Berlin's Maybachufer – unfortunately on a cold, rainy day – and at an evening event at the Brunnenviertel e.V. neighbourhood initiative in Berlin. Both events met with lively interest, as evidenced by the many comments and remarks on the photos, some of which are quoted in this online exhibition.

The project was created in cooperation with the Friends of the Museum for Islamic Art at the Pergamon Museum e.V. and was supported by the funding programme digiS of the Senate Department for Culture and Social Cohesion of the State of Berlin.

More information about the photographers

Josef Härle & Erhard Glitz & Wolfgang Zorer

Josef Härle (1937 - 2015) 

Prof. Dr Josef Härle was a secondary school teacher, professor of geography and dean at the University of Education in Weingarten. Between the 1960s and the early 2000s, he travelled extensively throughout the Middle East, particularly Turkey, Iraq, Syria, Jordan, Palestine and Oman. He organised specialist geography field trips with students, as well as his own research expeditions, which he undertook together with his wife. He travelled particularly extensively in the region of historic Mesopotamia whilst conducting extensive field research for the ‘Tübingen Atlas of the Middle East’ on the topic of land use. His travels focused on the cultural landscapes of the regions he visited – their origins, development and transformation – supplemented by visits to numerous historical sites. He was also actively involved in his home region of Upper Swabia: he initiated community projects and worked with school pupils and interested members of the public on active nature conservation. Obituaries highlighted his “inner ecological attitude”, which shaped his educational work just as much as his research. Josef Härle published geography textbooks and numerous specialist articles, and contributed the map ‘Mesopotamia: Land Use’ to the Tübingen Atlas of the Near East (TAVO). The collection of the Museum for Islamic Art now holds around 2,300 photographs from his estate, which his widow donated to the museum. The connection was established in 2015 during a slide show in Buxtehude, in which a Syrian member of staff from the museum’s Syrian Heritage Archive Project and his wife compared their photographic impressions of Buxtehude with photos from Damascus. Mrs Härle initially offered the slides from Syria belonging to her late husband and later donated the entire collection of slides from the Middle East.

Erhard Glitz (1904 - 1969) 

Erhard Glitz, born in 1904, decided at the age of 20 to pursue a military career in the artillery within the Reichswehr, which, under the Treaty of Versailles, was limited to an army of just 100,000 men. The severely restricted rearmament did not permit an air force, yet Erhard Glitz received pilot training. As part of a German-Chinese military cooperation under Chiang Kai-shek, Erhard Glitz lived in China with his family as a training officer between 1934 and 1936. After returning to Germany, Erhard Glitz served in the German air force, officially founded by Hitler in 1935 as part of the the armed forces of Nazi Germany; he was promoted to lieutenant colonel in 1942 and assigned to the XIII Air Corps. From February 1943 to August 1944, Glitz was a garrison commander in the Peloponnese. At the end of the Second World War, he lost an arm during fighting near Hildesheim. In 1947, he was questioned as a witness at the Nuremberg Trials regarding war crimes connected with fighting against Greek partisans. As he had not trained for a civilian profession and was interested in art history, he acquired the relevant knowledge through self-study and began working as a travelling lecturer – initially focusing primarily on the subject of China. Later, India, Ceylon and North Africa were added to his itinerary. Driven by his enthusiasm for Greek-Hellenistic culture, he travelled to Greece and Turkey and began taking photographs systematically. Among other things, Glitz gave slide lectures on his travels as part of the Institute for Foreign Cultural Relations. The earliest documented lecture dates from 26 April 1955 in Gelsenkirchen and was entitled ‘Wonders of Anatolia’; one of his final lectures took place in 1968 on the subject of ‘Turkey, a Land of Friends’. In order to be able to take photographs despite the absence of his right arm, Glitz used a standard tripod or a specially designed shoulder tripod. Thanks to a donation by his son Uwe Glitz, almost 10,000 photographs found their way into the image archive of the Museum of Islamic Art, of which over 6,500 depict Turkey. As the photographs are not dated, it is only known that they were taken in the 1950s and 1960s. (Any assistance with more precise dating – for example, based on details in the photos – is welcome.) Erhard Glitz travelled through Turkey with his wife, and although the focus was on sites and buildings of art-historical significance, his pictures reveal a keen interest in personal, human encounters.

Wolfgang Zorer (1889 - 1939) 

Very little is known about Eduard Wolfgang Zorer (also incorrectly spelled ‘Zohrer’), who was born in 1889. He was a fighter pilot, squadron leader and captain during the First World War, during which he helped to develop military tactics of the time and was highly decorated. In 1917, he was taken prisoner of war and left the military in 1920. Later, Zorer stated that his civilian occupation was ‘representative for aviation’. In the 1920s and 1930s, the ‘Captain and Photographer’ Wolfgang Zorer apparently resided (continuously?) in Ankara. He was involved in the surveying and photographic documentation of the Temple of Augustus in Ankara. In 1927, he carried out architectural photography at St Clement’s Church in Ankara, procured ‘photographic records’ of historical sites in Anatolia, and took photographs himself. The DAI Istanbul photo archive contains a few photographs by him. On the internet, Wolfgang Zorer is also described as an ‘art collector’ and ‘art historian and archaeologist’. Zorer lost his life in the crash of a commercial aircraft in December 1939. A few months later, his collection of antique furniture, paintings, porcelain, carpets, etc. was auctioned at the Hans W. Lange auction house in Berlin.

Diversity of landscapes

From the snow-capped peaks of the Taurus Mountains to the shores of Lake Van: Turkey is a country of breathtaking scenic diversity. Erhard Glitz and Josef Härle have captured this vast landscape through their lenses.

Museum für Islamische Kunst, Staatliche Museen zu Berlin, Fotograf: Josef Härle 1980 (jh-d-09-04-17) CC0

Agricultural traditions

Threshing, ploughing, harvesting – when these photos were taken, traditional methods still dictated the rhythm of life in the fields. A glimpse into a way of farming that has now almost disappeared.

Museum für Islamische Kunst, Staatliche Museen zu Berlin, Fotograf: Josef Härle (jh-d-06-02-01) CC0

Shepherds and flocks

In Turkey, flocks of sheep and goats are a familiar sight on the roads: tended by shepherds, children or the mighty Kangals, who lead their animals through the mountains on their own.

Museum für Islamische Kunst, Staatliche Museen zu Berlin, Fotograf: Erhard Glitz (ge-d-16-01-23) CC0

Nomads

When these photos were taken, many nomads were still travelling through Turkey with their herds. The Yörüken in the west and the Koçer in the east – both groups continue to this day to fight for recognition of their millennia-old pastoral culture.

Staatliche Museen zu Berlin, Museum für Islamische Kunst, Fotograf: Erhard Glitz (ge-d-36-04-01) CC0

Hidden architectural treasures

For thousands of years, Turkey has been the cradle of great civilisations – traces of them can still be found almost everywhere today, in cities as well as in villages, telling stories of its cultural past.

Museum für Islamische Kunst, Staatliche Museen zu Berlin, Fotograf: Erhard Glitz (ge-d-26-02-12) CC0

Istanbul

Istanbul – where cultures have been meeting for centuries and continents converge. On the Bosphorus, life pulsated to the rhythm of the sea: fishermen, ferries and the cries of street vendors shaped the city’s daily life.

Transport and mobility

Movement is a defining feature of life in Turkey – on land, at sea and on the railways. From wandering nomads to the ubiquitous minibus: the country is constantly on the move.

Museum für Islamische Kunst, Staatliche Museen zu Berlin, Fotograf: Erhard Glitz (ge-d-14-02-17) CC0

Daily life

In addition to their main areas of focus, Glitz and Härle also photographed everyday life in various regions of Turkey. Their photographs capture women, men and children in very personal, unposed moments.

Museum für Islamische Kunst, Staatliche Museen zu Berlin, Fotograf: Josef Härle (jh-d-05-01-02) CC0

Ankara Black and White

At the beginning of the 20th century, Wolfgang Zorer photographed Ankara's transformation between Ottoman heritage and its new role as capital. His rare images, some as 3D stereo negatives, are held in the Museum of Islamic Art's photo archive.

Stereo-Glasnegativ SW (6 x 13 cm) ca. 1928, Museum für Islamische Kunst, Staatliche Museen zu Berlin, Fotograf: Wolfgang Zorer (Wz-gn-3911577)