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The collection of the Museum for Islamic Art comprises works of art, culture, and archaeology from Muslim-influenced societies from late antiquity to modern times. Its exhibits come from an area stretching from the southern and eastern Mediterranean through Anatolia, the Middle East, and Central Asia to India. In the stories about the collection's history, we take a look at the people and exhibits associated with the Museum of Islamic Art's collection.
In this provenance research story, we trace the origins of a tile that entered the museum collection in Berlin from Spain, but was probably made in the workshops of Kashan.
At the beginning of the 20th century, several Jewish Berliners were intensively involved in building the collection of the Museum for Islamic Art. How did they shape the museum and its collection? This highlights people without whom the museum would probably not exist in its current form.
Some Jewish individuals were deeply involved in building the collection of the Museum for Islamic Art in the early 20th century. Dr. Max Ginsberg (1872-1938), a Berlin-based merchant and banker, was one of them.
Discussing Shadi Ghadirian's Qajar series, photography in Iran, identity, and the audience's engagement with her art.
Learn about carpet restoration history and processes at the Museum for Islamic Art.
The provenance of stucco decorations from the caliphs' residence in Samarra to the Islamic section of the Royal Museums in Berlin.
All of the 1.500 or so preserved photographs of two excavation campaigns are now available for the first time.
How can the photos be linked to current social discourses?
Excavation photographs help archaeologists and provenance researchers in research work.
Voices from Samarra sharing their memories and wisdom with us.
What actually happens behind the scenes in the museum? The special exhibition "Samarra Revisited - New Perspectives on the Excavation Photographs from the Palaces of the Caliph" opens a very personal insight of the employees into the museum work.