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This fragment is part of the "CulturalxCollabs - Weaving the Future" carpet.
Through the fragment we trace the journey of the fragment owners and their collabs as they explore, experiment and creatively advance socially relevant themes. Here is the fragment as we are sending it on this three and a half-year journey.
Follow this story to observe the transformations the fragment undergoes over the course of these years...
Michel Abdollahi is a German journalist, moderator, poetry slammer, and artist of Iranian descent. He moved to Germany in 1986 and grew up in Hamburg. Abdollahi is known for his in-depth reports, quick-witted interview style, and contributions to the German-language poetry slam scene.
He studied law, Islamic studies, and Iranian studies. Since 2000, he has been a key figure in the poetry slam scene and founded the label Kampf der Künste, which organized the world’s largest poetry slam. His journalistic work, including the widely recognized report Im Nazidorf, earned him the German Television Award in 2016. He also hosts the NDR talk show Käpt'ns Dinner and is actively involved in cultural education and integration.
With awards such as the Gustaf Gründgens Prize, his contributions to cultural mediation have been honored. His style combines charm, humor, and social critique, making him one of the most influential voices in the German cultural landscape.
Conversations are more than words. They are bridges through which we enter other lives – and sometimes we lose our balance in the process. Every encounter leaves traces, some gentle like a breath of wind, others deep like a scar. You come as one and leave as another. Some conversations open doors to spaces you didn’t know existed. A sentence, said casually, can trigger a chain of thoughts that you can no longer stop. A look, a pause, an unspoken word can shake your own worldview. There are conversations that give you strength and those that drain you. Sometimes you emerge from a dialogue strengthened, with new ideas, a different perspective, maybe even with a spark of hope. Then again, there are encounters that sow doubts that shake the foundations of your self. Conversations are not one-way streets. You give, you take – but not always in equal measure. As a journalist, you learn to ask, to listen, to understand. But every time you listen, the listener changes. Like a mirror that not only reflects, but gets a new scratch, a new line, a new facet with every encounter. And so I emerge from every conversation a little different. Perhaps more thoughtful. Perhaps more liberated. Perhaps a little more me - or a little less.
The Museum for Islamic Art's project, #CulturalxCollabs - Weaving the future, celebrates the transformative power of cultural exchange and the shared threads that unite us all. All the things we love, have loved and will ever love come from cultural exchange, migration and diversity, or as we like to call it #CulturalxCollabs.
100 carpet fragments, cut from a replica of the iconic dragon carpet, will travel the world (delivered by DHL). The fragments will ignite #CulturalxCollabs with co-creators, inspiring human ingenuity, fostering community and ultimately demonstrating how cultural exchange enriches all our lives.
Follow #CulturalxCollabs on Instagram as the project unfolds...
Join us on a journey with 100 carpet fragments as they travel around the world for three and a half years, finding temporary homes while bridging cultural boundaries, fostering worldwide community united by the power of human stories.
100 carpet fragments part of the "CulturalxCollabs - Weaving the Future" project. Follow their journeys through the ever changing owners' over three and a half years.
The star of the "CulturalxCollabs - Weaving the Future" project is a so-called Caucasian dragon carpet from the 17th century. A dragon carpet - all well and good - but: where is the dragon?