CulturalxCollabs: Fragment No. 46 highlighted © Museum für Islamische Kunst, Heiner BüldCulturalxCollabs: Fragment No. 46 highlighted © Museum für Islamische Kunst, Heiner Büld

Cultural x Collabs - Weaving the Future

Fragment No. 46

100 Fragment Journeys

This fragment is part of the "CulturalxCollabs - Weaving the Future" carpet.

Through the fragment we trace the journey of the fragment owners and their collabs as they explore, experiment and creatively advance socially relevant themes. Here is the fragment as we are sending it on this three and a half-year journey.

Follow this story to observe the transformations the fragment undergoes over the course of these years...

The journey begins...

...with Silk Road Peace: Fateme Hamti and Alireza Saadat

Friendship has no border

At present, fragment #46 for the journey on the Silk Road is with Fateme Hamti and Alireza Saadat in Iran.

We began our research to study the Silk Road in Iran by bike in the year 2011 . Through these studies, we realized that despite the differences between governments and ethnic groups, peace has always prevailed on the Silk Road.With the slogan 'Friendship has no border,' we make every effort to take the peace on the Silk Road as a model and inform everyone about it.

Peace Museum

the mausoleum of Luqman Sarakhsī

The first cycling journey along the Silk Road route started from the tomb of Luqman Baba, the mausoleum of Luqman Sarakhsī. This structure dates back to the 8th century AH and is located in Sarakhs, 3 kilometers north of the city

From Germany to Iran






Fragment #46, which was assigned to the Silk Road project, arrived in Tehran by my good friend Shahin Tiwai Sadat Al-Husseini and was unveiled at the Tehran Peace Museum and handed over to the project manager Mrs. Fatemeh Hemmati.





When I met Shahin, he came to visit me on the recommendation of a mutual friend. At that time, I was working on a project where people, mostly traveling by bicycle, would express the word "peace" in front of a white screen.

However, Shahin's journey was a bit different; he traveled from Aachen in Germany to Tehran on his unique bike, and this trip took two whole years. Throughout this project, I learned a lot about peace from him.

Since that day, nearly eight years have passed. Instead of DHL, he brought me fragment #46 of the Pergamon Museum carpet, as DHL does not deliver in Iran.

Peace Museum of Tehran

Coordination meeting for the unveiling of the #46 fragment Caucasian carpet was held on Monday 2024/8/12 in the Peace Museum of Tehran with the presence of Mr Mohammad Reza Taqipour, Shahin Tiwai Al Sadat Hosseini, Alireza Saadat, Alireza Yazdan Panah, Mohammad Reza Mohammadi.

Peace Museum of Tehran

Fragment #46 of the Caucasian carpet from the Pergamon Museum was presented to the executive team of the Silk Road during a ceremony in the Tehran Peace Museum with the presence of interested parties. In this ceremony, the head of the Tehran Peace Museum, Mr. Mohammad Taqipour, gave explanations about the Tehran Peace Museum and welcomed the audience. 

Dr. Alireza Behrman explained about the Silk Road and how it was formed in Iran.

Mr. Shahin Tiwai Sadat Al-Hosseini explained about the Caucasus carpet of Pergamon Museum and how the project was carried out.

Then Mrs. Fatemeh Hemti gave explanations about the role of the dragon in the Caucasus carpet and its origin and how it evolved and reached the Caucasus.

At the end, Alireza Saadat explained about peace and how peace is on the way of the Silk Road and its connection with the development of the Caucasus carpet, and what path fragment #46 is supposed to take.

At the end, fragment #46 was unveiled by Mr. Shahin and Alireza Yazdanpanah and handed over to the Silk Road Group.

This ceremony was held on 14 August 2024 in Tehran Peace Museum.

Tehran Carpet Museum









Shahrud University, 22 October 2024

We traveled to Shahrud University at the invitation to give a lecture on "The Values of Travelogues" for students in the "Tourism Economics" program. During the session, a student introduced Ibn Battuta's travelogue, and Mr. Mahdi Gouhari discussed its values. Ms. Fatemeh Hemmati spoke about the "Culture Clubs" project and the 46th carpet journey along the Silk Road, while Mr. Alireza Saadat talked about "Peace on the Silk Road." At the end, Dr. Mahmoud Rahimi honored the speakers. Before the lecture, we visited Bastam, 5 kilometers from Shahrud, with Dr. Rahimi and tour guide Hossein Samadi Milani, exploring the tomb of the great Sufi Bayazid Bastami and an ancient mosque.

Tehran Museum of Contemporary Art, 27 November 2024

The Tehran Museum of Contemporary Art is showcasing 120 works by international artists that have been hidden from view for years under the title "Eye to Eye." This exhibition has received an overwhelming response from art enthusiasts.

Childhood Museum of Iran, 6 December 2024

The Iranak Museum, also known as the Childhood Museum of Iran, is located in Tehran and showcases children's toys from ancient times to the present. The museum hosts a variety of programs each week aimed at engaging children. This week, children learned about the different stages of carpet weaving. Several weavers were present to teach the children about the process from producing the Yarn to weaving the carpet, all through playful activities.






When we arrived at the museum, it was closing time, and there were no children present. However, the museum staff welcomed us warmly and provided us with detailed information about the museum.





Caravanserais

Caravanserais have been significant symbols of hospitality, security, and peace along the Silk Road. These valuable structures also contributed to the economic prosperity of cities along the route. They offered equal services to all travelers, regardless of religion, ethnicity, or race, making them a representation of peace on the Silk Road.

The architecture of the Silk Road in Greater Iran was designed to ensure equality among all travelers. The caravan manager and the head of the guards held specific positions that allowed them to oversee the entire structure and protect the rights of the travelers.

carpet production and animal husbandry

We might not have paid much attention to the relationship between carpet production and animal husbandry. Humans turned to raising livestock to meet their nutritional needs, but one of the products of livestock farming is wool, which is used to make yarn for weaving carpets. Therefore, carpet production is heavily dependent on animal husbandry. From wool production to carpet production, dozens of jobs are created and a large economy is generated. Ultimately, carpets end up in our homes so we can enjoy them.

So let's appreciate our carpets more.

Khayme Shab Bazi: A Traditional Iranian Puppet Theater

Khayme Shab Bazi is a traditional Iranian puppet theater that entertains children while teaching them about life, courage, and peace. The show typically tells the story of a hero with a dark complexion who falls in love with a beautiful fair-skinned girl and seeks to marry her. Despite the girl's family's objections, the hero proves his worth through bravery and wit, ultimately winning their approval and marrying his beloved. The story is presented in a humorous and joyful setting, often accompanied by a musician playing the tambourine and sometimes a second musician on the kamancheh.

In all tales, the main character overcomes challenges and adversaries, emerging victorious. The story concludes with all characters singing a happy song together, emphasizing peace and acceptance of differences.

Colors of fall

Fragment #46 from Pergamon Museum traveled to the autumn forests of northern Iran to rejuvenate itself and reunite with the colors of fall.

spinning tops on the silk road


Beyond the beauty of carpets, one of the great attractions of life in the past was children's games. Games and stories played an important role throughout history in educating people and passing on culture from one generation to the next. Spinning tops are traditional children's toys that symbolize movement, balance, and continuity. Both spinning tops and the technology used to make them spread from Iran to other regions along the Silk Road.


CulturalxCollabs: Fragment No. 46 © Museum für Islamische Kunst, Heiner Büld

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About the Project

The Museum for Islamic Art's project, #CulturalxCollabs - Weaving the future, celebrates the transformative power of cultural exchange and the shared threads that unite us all. All the things we love, have loved and will ever love come from cultural exchange, migration and diversity, or as we like to call it #CulturalxCollabs.

100 carpet fragments, cut from a replica of the iconic dragon carpet, will travel the world (delivered by DHL). The fragments will ignite #CulturalxCollabs with co-creators, inspiring human ingenuity, fostering community and ultimately demonstrating how cultural exchange enriches all our lives.

Follow #CulturalxCollabs on Instagram as the project unfolds...

...or learn more here

Weaving the Future

Join us on a journey with 100 carpet fragments as they travel around the world for three and a half years, finding temporary homes while bridging cultural boundaries, fostering worldwide community united by the power of human stories.

Fragment Journeys

100 carpet fragments part of the "CulturalxCollabs - Weaving the Future" project. Follow their journeys through the ever changing owners' over three and a half years.

Creating a carpet

A 17th-century Caucasian carpet, burned by an incendiary bomb during the Second World War, serves as the model for a replica, woven in 2022 by a family in Rajasthan, India. Over 2.3 million knots later, it is being sent out into the world in 100 fragments. This is the story of how it came to be.

Where is the Dragon?

The star of the "CulturalxCollabs - Weaving the Future" project is a so-called Caucasian dragon carpet from the 17th century. A dragon carpet - all well and good - but: where is the dragon?